A set of six rusted iron keys on a circular keyring, likely from the late 18th to mid-19th century, displayed on a neutral background. The keys vary in size and shape, with visible wear and corrosion, suggesting long-term use and historical significance.

Created by Unidentified. (late 18th – mid 19th century). Iron key ring from a plantation in North Carolina [Iron]. National Museum of African American History and Culture; Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Liljenquist Family.

From the editor:

Poetry is the artful arrangement of words that captures emotions, experiences, and ideas through rhythmic language and vivid imagery. In Matthew Feeney’s work, this transcendence of ordinary communication emerges through masterful use of metaphors, symbolism, and precisely chosen words, creating layers of meaning that resonate on both intellectual and emotional levels. Whether experiencing this poem in its written form as submitted  or through Ryan McCarthy’s evocative recording, Feeney’s ability to distill complex human experiences into powerful, concentrated expressions shines through. 

As you explore this piece and the broader collection of his work, consider the profound question he poses: What does your life depend on?

JSTOR Access in Prison Second Chance Submission 

About the author

Matthew Feeney (he/him) has had over 300 pieces published since 2017, all without using the internet due to his serving an indeterminate sentence in Minnesota. Notable periodical credits include Rattle, The Analog Sea Review, and The Evening Street Review and inclusion in the books “Upon Waking: 58 Voices Speak Out from the Shadows,” “Boundaries and Bridges,” and “A Prison Writer’s Guide to Media Writing.” Matthew has received several writing awards, including PEN America, and was nominated for a 2021 Pushcart Prize in Poetry by Gival Press. His poem “Always and Forever” was composed into performance choral music and an OBJECT America project featuring the poem “Phone Home” was exhibited in Paris, Berlin and Switzerland.

Humanity

As a white man, you know privilege.

As a gay man, you know pride

As a felon, you know prejudice

As a sex offender, you know hatred 

As a human being, you know conflict

unconditional love

universal loathing

risking trust

fear of rejection

sorrow of separation

joy at redemption

gift of being chosen

peaceful nights

distrustful interactions

empathetic support

blessed touch

emotional dramas

racing thoughts

isolation and segregation

connection with others’ pain

being heard and understood

As a writer, you know words …

Write as if your life depends on it.

Listen to a reading of Humanity below: 

Read Matthew’s work here:

“Writer’s Paradise”

“Reductio Ad Numerus”

“Real Writer”

“Humanity”

“Angel Unaware” 

“Scared”

Essay: “Prison Education 101” 

The opinions and views expressed in these recordings, art, and posts are those of the authors and do not represent, reflect, or imply endorsement by ITHAKA.

About the editor and audio contributor

Elizabeth Shatswell serves as the Correctional Education Manager at JSTOR Access in Prison. A strong advocate for the transformative power of storytelling, she believes community is created through the sharing of our collective tales. Elizabeth is an alumnus of the Freedom Education Project Puget Sound (FEPPs), the Sunshine Lady Foundation, and the University of Puget Sound.

Picture of Ryan McCarthy, a man with short dark hair and a short reddish beard. He is smiling. He is wearing a white oxford shirt and leaning against a brick wall.

Ryan McCarthy is a software engineer working primarily on JSTOR Access in Prison. In what sometimes seems like another lifetime, he studied Shakespeare in graduate school. He believes in the transformative power of education and hopes to live in a world where everyone has the chance to learn.